Boogie woogie pianist Johan Blohm (born in 1962) is a Swede who spent his youth listening to his father’s country and rock -n’ roll records. The imprint of Jerry Lee Lewis, his musical idol, may indeed be noticed as part of his singing and piano style.

Could you tell how your discovery of boogie woogie music was?
My earliest encounter with truly authentic boogie woogie was once when I watched a historical video recording on television showing Albert Ammons with Pete Johnson jamming a fabulous duet, the actual track was -Boogie Woogie Dreams- and I was mesmerised with the grove combined with the power that came out of these two pianos. Since that day I have been an absolute Boogie Woogie fanatic.

Did you already play the piano before that day you heard boogie woogie sounds?
You bet, I did indeed play piano for a few years before I discovered genuine Boogie Woogie music. I began playing piano when I was about six years old and right up until I became about thirty years old I performed rock -n’ roll as well as country from the style of Jerry Lee Lewis, Charlie Rich and Mickey Gilley. And this is what I continue to play most of the time but these days I spice it up slightly playing boogie woogie.

What boogie woogie written music books did you benefit from whilst mastering this specific music genre?
I haven’t ever used any specific written music books, I taught my own self to perform boogie woogie. I really can’t understand written music. I paid attention to the ancient pianists such as Albert Ammons, Amos Milburn, Pete Johnson and Freddie Slack and gained techniques and also inspiration through them.

I taught myself everything I play, almost everything I perform is more or less improvised and doesen’t sound the same every time. The flipside of teaching your own self is that you don’t get every aspect correct though the good thing is basically that you get a unique style, haha!

Who were your big examples in music in general and also boogie woogie specifically?
My personal boogie woogie idols are the players I mentioned before. My all-time musical idol is Jerry Lee Lewis, no person will ever come near him in terms of playing rock -n’ roll piano and/or performing. Hank Williams, Gram Parsons, Charlie Rich, Patsy Cline along with Merle Haggard are also good examples of my musical heroes.

Do you have dreams for your own work and if so, what exactly are these?
On a basic level I will be satisfied if I am able to play my songs and make a living with playing until I am very old. But I also want to be able to do concerts around the globe and have my music extend to everyone who love piano rock -n’ roll as well as boogie woogie. And I wouldn’t mind If I could easily earn some income along the way as well!

What makes me more than happy happens I perform a show for an crowd that is genuinely excited about my music and that’s really being attentive experiencing and enjoying the concert. Often times I’ve found myself performing in a bar where nobody is there to listen to the music, they simply have to get drunk and don’t care about the music. If only I were playing more often for genuine boogie woogie fans and do less of the uninspiring performances in bars but in reality it’s important to take what you can get, everybody has bills to cover.

What can recreational boogie woogie pianists do in order to arrange their first concert? To be honest, I actually don’t have a very good solution, I’m afraid. In my youth I used to be looking for locations myself, I called all of them and made an effort to convince these folks to book me. Once every 10th attempt or so the managers did. Eventually I got tired of this and I got connected with people in the industry who were far better at organizing gigs than I would ever be. I feel the key is to get yourself a booker who is able to help. However it’s a struggle, nobody really wants to book you when you’re unknown and also you won’t get known if you don’t get any gigs.